Overview
For her first solo museum exhibition, British artist Mary Ramsden presents a new series of paintings arranged in groupings that investigate associations between scale, imagery, and space. Expanding on her interest in prose, social media, and our daily interface with technology, Ramsden’s painterly, gestural marks echo the physical residue left when swiping the touch screen of a tablet or smart phone. Within this, the artist examines the playful zone between the painter’s mark and the accidental smears of our screen-based world. Setting these urgent scorings among seemingly fixed geometric planes, Ramsden alludes to our pervasive relationship with the screen in daily life. Installation view: Mary Ramsden: (In / It), Aspen Art Museum, 2016. Photos: Tony Prikryl
For her first solo museum exhibition, British artist Mary Ramsden presents a new series of paintings arranged in groupings that investigate associations between scale, imagery, and space. Expanding on her interest in prose, social media, and our daily interface with technology, Ramsden’s painterly, gestural marks echo the physical residue left when swiping the touch screen of a tablet or smart phone. Within this, the artist examines the playful zone between the painter’s mark and the accidental smears of our screen-based world. Setting these urgent scorings among seemingly fixed geometric planes, Ramsden alludes to our pervasive relationship with the screen in daily life.
Installation view: Mary Ramsden: (In / It), Aspen Art Museum, 2016. Photos: Tony Prikryl